In Visions of the Daughters of Albion, we learned that Blake takes similar stand with feminist at his time. However, Blake still stayed within a restricted feminism. His feministic arguments are more inclined to free women from the traditional moral cage rather than treating men and women equally. In Milton, Milton was freed by his “Sixfold Emanation”, his three wives and three daughters (p. 149). These six women symbolize Milton’s suppressed feminine desire and his spiritual form of self.

On one hand, women are powerless victims and forced to reluctantly reproduce. Oothoon reproduces Leutha’s trap to the girls while being a victim herself (p.64). The shadowy female in Europe a Prophecy is powerless and can only complain about the vicious reproduction she has to take on doing (p.98-99). Enitharmon, the character that suppress Orc and Los, put men into her eighteen hundred years of female dream (p.101). On the other hand, women are symbols of sexual liberation and free desire. Oothoon calls for “free love” constantly in Visions of the Daughters of Albion. In Moravian tradition, Jesus is feminine. In the image of Milton strangling Urizen, we also see his Sixfold Emanation above him. His Sixfold Emanation is artistic and joyful. These are all images that Blake truly praises.

Nevertheless, women are never the revolutionary in Blake’s work. They don’t strangle Urizen. They don’t bring revolution like Orc and Los. One can definitely argue that Blake portrays the oppressed situation of female to call for changes. But can we also argue that Blake never put female as revolutionary characters in the center of his system is being unconsciously patriarchal? In the New Jerusalem, what will the gender system be?