The turning point once “the kings of Asia heard/ The howl rise up from Europe,” (or once Orc moves from Europe to Asia), is line 9, “Urizen heard them cry.”  It seems that the lamentations of the Asian Kings causes his reaction, stirs him to move and stand over Jerusalem.  Their “hopes” are that

The pride of the heart may fail;

That the lust of the eyes may be quench’d

That the delicate ear in its infancy

May be dull’d: and the nostrils clos’d up:

To teach mortal worms the path

That leads from the gates of the Grave. (plate 7, lines 3-8).

The footnote says “the senses are being narrowed as humanity accepts a religion of asceticism for the sake of the life hereafter,” and I wonder, does Urizen approve of this deadening of the senses?

What interests me is that there seems to be a call and response throughout the Song of Los, an overload of the senses (not a deadening of them), as though one howl or cry sparks another dramatic reaction.  For instance: “Then the thunders of Urizen bellow’d aloud/From his woven darkness above,” sparks “Orc, raging in European darkness,/Arose like a pillar of fire above the Alps.”  And Urizen’s thunder arises from the lamentations of the Asian kings, who begin their cry in response to Europe’s howl, and so on and so forth.  Is crying a trigger reaction? One sadness leads to another?  The earth seems to be physically shaken up by these tears.  After “Jesus wept,” he rose Lazarus from the dead.  It says that “Urizen wept” is supposed to be ironic, and over the resurrection of humanity, but I wonder if this chain of weeping, culminating in “Urizen wept” means that in “The Book of Urizen,” Urizen will resurrect something himself.