So the Angel said: “Thy phantasy has imposed upon me & thou oughtest to be ashamed”

In William Blake’s past there is a close relationship with the Moravian religion that seems to reveal itself, unsurprisingly, in his work, The Marriage of Heaven and Hell. In the work, Blake chooses to depict a scene of utter grotesqueness that reveals to his companion, an angel, the truth of his own religion—that it is constructed on the bones of reason. Blake takes a satirical aim at the Moravian religion by depicting the rotting corpses—a fleshly representation of the Moravian church central to its teachings—as intolerable. He places his satire on an equal level as that of Swedenborgian teachings in his more blatant mockery of the writer’s “new truth” (“A Memorable Fancy” MoH&H. 22. 1; 79).  It seems that Blake is trying to communicate his distaste for Church teachings that have been institutionalized in his condescension of them—as evidenced by the tension between he, the angel, and the devil. Blake ultimately reveals through his satire that he wishes to not favor any particular school of thought, but instead he chooses to favor an altered perception beyond a limited scope created by systematized barriers of organized religion.

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